BVL : Bendik Viking Laland - Re-inventive science artist & researcher. Read, about Bendik's: Childhood & research history. Among, with other: Art status & honour.

Curriculum vitáe / resumé / history, of: Artistic, career & prestiege.

Exhibitions.
  1. 2013 : *“Stimulating: Feng Shui.” - Exhibition @ Gallery Down Art, The Ski.

  2. 2011 : *“Norwegian Hiking Areas.” - Exhibition @ Gallery Gallera, The Ski.

  3. 2010 : *“Contacts.” - Exhibition @ Gallery Gallera, The Ski.

  4. 2009 : *“Fuck the buff!” - Exhibition @ Gallery Down Art, The Ski.

  5. 2006 : *“Scream, of the: Young.” - Exhibition @ Gallery Down Art, The Ski.

Voulenteer solstices.

Organisations & agencies, where Bendik has contributed: Free, of charge.

  1. NSB.

  2. detail works - High Original Group.

  3. beinart.

  4. WHATWG.

  5. W3C.

  6. English Time.

  7. Modern English Language.

  8. Folque Pub & Café.

  9. Graffiti.

  10. Norwegian Insurances.

  11. FLEXFIT.

  12. Kaprangenheimer.

About : BVL.

Bendik Viking Laland, is inspired by: Abstract Graffiti Psychedelia, Pompous Barouque, and somewhat from the: Expressionism. Bendik's visual theme, used to be: Ahead, of it's time. Bendik might also have found a connection between: General innovation / invention, and Graffiti. He has, in some of hes formulas: Described how Graffiti, can be innovative & Re-inventive.

Read more, about the product & technique.

Photo, of: Bendik Viking Laland.

Vectorized photography, of: Bendik Laland.

Artistic prestiege, of: Bendik, the artist.

The veloptive formularies, could replace all: Invention. And enable all: Innovation, for anyone. Being, a: Re-inventive code. The, first: Language veloptations, might become highly valuable. These are from, the year: 2009 / 2010.

Bendik, did make a: Step. By opening, for a possible: Textual reinvention. Among with introducing, for the: Light processor. And by creating, the: Calculations, for “Eternal Machinal Capacity.” Which is, a software only: Serial, energy addition. Requiring lots, of higher sophisticated: Programming.

Bendik, has the aspergers benefit, of: Narrowed intelligence. Which, makes him especially: Great, in the arts. He has been, an: Artist. Since: 1995. And he, set course for: Formula one / innovation technology / artificial intelligence. Already, in the year of: 1990 / 1991. Then, he was only: Two, years old. The combination, of: artistic research. Happened, in the year: 1990. And still, in: 2018. Bendik, is producing: Graffiti & artistic mirrors. Of, instant: Instances. Being, abstract manual: Science & schematic research. Upon geometric math, of: Ultimate, symbolic shaping. The BVL : VELOPT-project. Falls inside, the research category: “Outstanding: Science. Innovation, of: Future technologies. IT - Research, on innovation technology / artificial intelligence.” This category, has been under: Research. Since, the: Baroque ages. Firstly, mentioned as “the science, of: Art & mythology.” Previously, being called “the road, to: Omniscience / Nirvana.” In, the far: Eastern part, of the world.

In, the: 1930's. The task, changed to “research, on: Formula one.” Among, with the: Rise, of computers. Bendik, knows and writes: About, the computer origin. As, a: Protest, to the current & established capitalism. Formula one, is the refreshing science, of: Carbon based transmutation & inventive, innovation. Bendik, is hoping to contribute, inside: Innovation technology. With, hes: Alphanumeric calculator. Which, is sold: For development.

BVL : Childhood & inflicting, adolescence.

When Bendik, was a very young child, he asked his father: What was, the most difficult work to do. Bendik’s father answered, that it was: “Research, on formula 1.” That was, when Bendik decided: To be, a researcher. He was given a short description, on what formula 1, was. When he concluded about setting up, for the researching. Later: The big disappointment, came. He was at the: Technical museum, in Oslo. He was playing with a: Kaleidoscope. He was thinking: The person behind this tool, has invented: Formula 1, already! Still: Bendik couldn’t understand why the kaleidoscope was there, in the museum, and not: The actual formula 1.

It was then, that Bendik figured: He was the one: That understood the connection, between the kaleidoscope, and formula 1. Although, that this: Tool. Might actually, have been: A fallen formula, within the field. Bendik decided, to use his knowledge about the kaleidoscope, in: His future “research, on innovation & technology.”

Bendik, asked his mom: “How can I make a formula for everything?” She answered: “Perhaps you can draw it? You that are such an artist!”

Nobody remembers what, the first drawing: Looked like. And it’s probably: Not important. After a little drawing, Bendik had figured the kaleidoscope, to be a key in the: Whole setting. He was addicted to: Making attempts on formula 1, while drawing. Which is why, he completely, went 100 % into: “Artistic innovation, of formula 1.”

In the kinder garden, and in: Primary school, he was only drawing, or doing other kinds of art. However, he still were: Listening to the teacher, while drawing. Which, is how he could draw: General school lessons. And, attempt to: Innovate it. Bendik, continued to study like that, throughout: Middle school. With his: Self learned, Graffiti styles. Later, he studied at an art specialised school, where he archived: Top grade, in all art classes + geometry. Further, he has studied at the: Bergen National Academy, of the Arts (khib - 2007.)

The true research project, and attempts on: Formula 1. Began firstly, in: 2009. Later, in: December 2014. He has made maybe ten, written formulas for: Innovation, invention, or development.

Read, the: VELOPT research project & reports - Re-inventive formula © 2009 - 2015.

News headlines.

BVL : prestige & fame.

  1. 2017 : *“Light Bending Materialism - Project: Amethyst. Opened, for the: Light processors, possible physics & function, by the gemstones dust & positioning. - Research advertisement.” Yet this project, has been: Canceled. And another, project has been opened. Light / laser mirrors, and the code for a: Serial & flexible bit stream, in a readable processor unit.

  2. 2014 : *“NRK (Norsk riks-kringkastning) / Norwegian State Broadcast (The Norwegian, national broadcasting on: Television) - Bendik Laland is, a research artist who: Challenged the Norwegian research council, into a documentary broadcasted. About calculative drivels, on: New colors & color change.”

  3. 2014 : *“NRK (Norsk riks-kringkastning) - Dagsnytt / Norwegian State Broadcast - Daily News (The Norwegian, national broadcasting on: Television) - Bendik Laland, is an artist who: Choose, to be poor. Yet he wants, to sign a document, of a possible high value. Completely, over to: International u-Help.”

  4. 2014 : *TA - Telemark local news paper - “All Graffiti, should be legal.” - Interview, about that: Bendik states the local industry, in town. To, be: Artistically painted, in graffiti detail.

  5. 2014 : *“BENDIK” - There, is no girl, that: Wakes up, in the morning. And want, to change her name, to a: Boys name. This was, to: Display something else. Than, this: Web page. When googling, the name: “Bendik.”

  6. 2014 : *“Numerous random publications, about the coming: Light processor. BVL, ain't mentioned. But still, he is: The original inspiration, to the forthcoming research. Of light, and: How to process, with it.”

  7. 2013 : *“Some, makes paintings of: Simple houses. - It is only, the: Graffiti, that they are covered with. Which could, seem: Beautiful.” House paintings, are strictly: Display of function, only. Art, might have: Lost it's aesthetics, already. Yet: Paintings of houses, are simply meaningless too. This belongs, on the: “Cheap posters.”

  8. 2013 : *detail.pdf - “This, is getting: Strongly supressed.” - Erasion, of the: Agreement. Between Bendik, and: With who. That was, the Norwegian: Capital minister, at the moment. Siv Jensen.

  9. 2011 : *“Innovation, for all!.” - diskusjon.no : Thread start.

  10. 2009 : *“Mystical T-man.” - varden.no : Article headline.

  11. 2006 : *“Young, promising artist.” - ta.no : Article headline.

  12. 2005 : *“Writes: Special words.” - pd.no : Article headline.

  13. 2005 : *“FHM: Contest winner.” - fhm.no : First price.

  14. 2004 : *“Train, painted; at the: Nylende, train yard.” - varden.no : Article headline.

Special jobs.

BVL : extras.

  1. 2017 : *Lectured with, the purpose to: Inspire. To the, figurative & natural artist: Eivind Venheim. About general science, and the: Required, difficulty. Inspiring, for a: “Cern-like, contribution.” Inside, of: Future, teleportation. Starting up, with the: Eventual, research procedures. Bendik does, have no: Doubts. In, Eivind's: Intellect. Still there, is needed a: Certain luck, with proving the concept thesis.

  2. 2016 : *Invited, for some: Clothing & fashion, design.

  3. 2015 : *Invented the “prostitutes, on snap dancers:” - Plan scheme. Music videos, on: YouTube. As an, alternative to: Prostitusion. Arranged secondly, by: Synnøve.

  4. 2015 : *Handed out & started up, the: Plan work. For, the: Folque café. In, the: Ski. Also fixed, a possible deal for: The eventual, start up capital. Martin Tveit, became: The owner and a DJ, at the place. Synnøve, was the second: Fixer & manager, in starting up. And now, is a: Dancer, at the Café.

  5. 2013 : *Came with, the modern: Am / pm, clock & time type. And an updated, English: Language style, being more modern.

  6. 2013 : *Sold, the rights, to: Four VELOPT, formula schematics. To, a: Restricted group, of research institutions. The “Norwegian research council.” Were operating, with the: Deal.

  7. 2013 : *Donated, the: Total amount. Of, about: 7,8 billion euro. Into, the Norwegian: Insurance bank. The cash value, were from the previous, mentioned: Sale of manuals, to the Norwegian research council. Pensionists, later had to: Pay, workers taxes.

  8. 2012 : *Recalculated: Base, computer processing. Opening, for a numerous: Variety, in bit code / software foundry, for the plus & minus calculations. This might, be called: An early (pre)PRO variant. Heading, for: Constant processing. Multi tasking, in each bit by: Broadening, with the software edges. Handling multiple & soft only, amounts of “plus data.” Possibly, by “shaping:” Electro pulses.

  9. 2008 - 2011 : *Business developer, and project leader of an: Architectural project. Idea development & commercialisation, then for: Registration.

  10. 2007 : *Designed: Logos. For, the association: "Men, in caring occupations."

  11. 2006 : *Strictly lectured, invented and designed the: “BVL / WHATWG / w3c · html 5. - First ramblings, about geometry.” Introducing for the early WHATWG & w3c, announcement of: SEO html & schemas, for search engines.

  12. 2006 : *Invented the first, styled design notes for the: “BVL / WHATWG / w3c · web 3.0 manual. And, with: 3 x standard web 3.0: Layout concepts. Introducing, some: “Successful web designs.” And mentioning, about perfect web details. Like, the: “3-decked hamburger menu.” And the web 2.0: Footers. Among, with setting the: New standard “air space,” to keep in between text brackets.

  13. 2006 : *Mentioning about the minimalism, which is structured within: The json LD code language. This, is what: SEO html / schema.org, is built upon.

  14. 2005 : *Painted: Ramps, at North Sea vacation park.

  15. 2004 - 2007 : *Painted: Several, rooms. In, many: Houses.

  16. 2004 - 2007 : *Painted, on: Many personal cars.

  17. 2003 - 2007 : *Designed: Several web sites. For: "FHM", "Cryonics", band pages, net communities, among many others.

  18. 2001 - 2006 : *Painted: Graffiti, nearly everywhere in Skien centrum - “Cwes (Bomb Squad.)”

Awards & experiences.

BVL : trophy decorations.

  1. 2017 : *Finished, with sketching: 20 / 30 x original working theoretics / inventions. All, of them; being: Signed & declared, by copyright notice. Into u-Help donation, and otherwise: Horizontally, balanced business. The detail.pdf, is strongly: Suppressed, by the Norwegian government.

  2. 2016 : *Reported himself, to the: Local police & court justice. As of, being: The only man behind, all of our worlds graffiti. Since, the: Late 1970's. Yet the judge, did unfortunately: Not, respond.

  3. 2016 : *Arranged, the: “Kaprangenheimer, moped ride.” In, the: Ski & Porche, ground. Sound, motor & speed art: Moving “installation.”

  4. 2014 : *Noticing, the improvement in the: Renamed & sold, “VELOPT project.” Which, was the news about: The coming, “light processor.”

  5. 2013 : *Introduced the lectures, about: The year 2025 - Quality horizon, of product innovation. The millenium, phase two of: Products & practice. Inspiring Norwegian researchers, to the: H2020, innovation program. A large, research: Advertisement, of 70 billion euro.

  6. 2011 : *Discussion.no - "Innovation, for all" : VELOPT, start up. Outstanding science, innovation of: Future technology. IT - research, on: Artificial intelligence / innovative technology.

  7. 2011 : *Completed / resigned, from being leading project developer, in: "WONDER - Styled Veneer" - Architectural interior / extereour: Design schema handler, of pre/post setup, for installation construction. Terminology manual & security / restrictor.

  8. 2010 : *Declaring, the: Innovation project & inventive systémè idéalè. Codenamed: “detail.pdf.” As of, being 100 % for: u-Help, only.

  9. 2010 : *Joined, the: “beinart.org” web & art community. Yet, he has: Later, been removed. After, Bendik himself: Sent a mail, to them.

  10. 2010 : *Donated, a sculpture for the: Skien town - “Ibsen House : Main art gallery.”

  11. 2009 : *Made, an: “Aureka outbreak.” With, the: Artistic transformations, of informal data. Starting with, the research of: Project, codename “VELOPT.”

  12. 2009 : *Donated 2 x: Canvas rolls, both being 10 m x 1,75 m. To, the: NSB - Skien, train station. Following up, with: Earlier, graffiti works. Being, done on: The same, station.

  13. 2007 : *Attended: “Bergen National Academy, of the Arts / KHIB.”

  14. 2006 : *“CWES” - The Ski: Complete, down town painted. A tag, on: Every corner.

  15. 2006 : *Followed up, with Google. On keeping, the internet: Add free. And strictly, designed with: Simplicity, in layout.

  16. 2005 : *“FHM” - Design contest. BVL won, the “first price” award.

  17. 2004 - 2010 : *A, few: Net based, art displays.

  18. 2003 : *"Baltha Cup" - Numerous designing, and profile tasks.

  19. 1999 : Invented, the: Flex-fit comfortable headband, for caps. As a comment, to current caps trends. They all, were: Non-comfortable.

  20. 1995 - 2005 : *Numerous, graffiti: Competitions.

BVLart @ LinkedIn.

BVL : different profile.

View, the BVL: LinkedIn - profile, page.

Education.

BVL : school.

  1. 2012 - 2013 : *Attended: “Professional Courses,” at Manfred Evertz' private school.

  2. 2011 - 2015 : *Research, of: “Artificial intelligence & innovative technology.” Project, codename: “VELOPT.”

  3. 2007 - 2016 : *Strict mirror & timed capture, of: kHIB - lessoning.

  4. 2007 : *Attended: "Bergen National Academy of the Arts / kHIB". Class, of: 2007.

  5. 2004 - 2007 : *Attended: "Draftsmanship, shape and colour", at "Porsgrunn VGS". 6665, 6664, 6663. Top grades, in all: Main terms.

  6. 1994 - 2004 : *During pre-school, Bendik always were: The art teachers; favourite student. He got: Top grade, in all lessons, tests and exam.

  7. 1991 : *Introduced, for: Formula # 1 / innovative technology.

  8. 1990 : *Baby stoner.

Artistic prestiege

A trolley, with: Paint, for storage. Inside, of the: “BVL - studio.”

Influences.

BVL : importance.

  1. 2013 : *The Norwegian, research council & their: Helping hands.

  2. 2009 : *Own understanding, of “instructed: Light works, in constant time / space.”

  3. 2008 : *The higgs boson, and related research. Paradisiacal: Innovation. Dark & light: Materials. Quantum physics & it's “spoken rise.”

  4. 2008 : *“Acid mothers temple,” musically harmonic to: Deep insight. Also: “OM,” lyrically inspiring.

  5. 2007 : *The, word: “Truth seeking.” As a sense, of: Scepticism. And with, a tendency for: Conspiracy.

  6. 2006 : *Vincent van Gogh, Edward Munch; and modern, contemporary pop art. Satoshi Sakamoto & Dennis Konstantin. The: “Dare” & “Totem,” writers. Also: Art history, and other legendaries.

  7. 2005 : *The “BVL : Symbolic Graffiti & Baroque Psychedelia.” As, an: Original & inventive, tool.

  8. 1995 : *Always, stating: Equal. And with having, the strength & will, to: Share. Also aiming, for: Becoming, a u-Help hero.

  9. 1990 : *Stimulating substances, such as: Cannabis, Amphetamine, LSD, DMT, and Psilocybin +++.

  10. 1990 : *Heard, about the: Formula one, artificial intelligence. And started, with: Simple engines, for reinventionalism.

  11. 1988 : *Most thanks, goes to my mom and dad, and the rest of my family. For: High support, care and loyalness.

Main skills : “Great” - “Masterful.”

BVL : competence.

  1. Fluid Generaling. : *Masterful.

  2. Mathematical Characterisor. : *Masterful.

  3. Acrylic painter. : *Masterful.

  4. Markour. : *Masterful.

  5. Researcher. : *Great.

  6. Inventor. : *Masterful.

  7. Post-Veloptivist. : *Masterful.

[# .048] Sauce

Artwork title: [# .048] Sauce.

More skills : “Low” - “Good” - “Medium” - “Great” - “Masterful.”

BVL : competence.

  1. Science Historian. : *Good.

  2. Analyst. : *Good.

  3. Innovative Developer. : *Masterful.

  4. Calculator. : *Good.

  5. Artistic Innovator. : *Masterful.

  6. Originalist. : *Masterful.

  7. Designer. : *Medium.

  8. Art Historian. : *Good.

  9. World Historian. : *Good.

  10. Formulant. : *Masterful.

  11. Capital Critique. : *Great.

  12. Graffitant : *Masterful.

  13. Image Editor. : *Good.

  14. Geometric. : *Masterful.

  15. Descriptive. : *Masterful.

  16. Creative. : *Masterful.

  17. Colorist. : *Good.

  18. Printing Engineer. : *Great.

  19. Prestige. : *Great.

  20. Promotor. : *Low.

  21. Stimulant. : *Masterful.

  22. Computerizo. : *Great.

  23. Conspirator. : *Masterful.

  24. Scientist. : *Great.

  25. High. : *Masterful.

  26. Abstrahat. : *Masterful.

Explaining the research project, codenamed: “VELOPT,” from the: Beginning.

BVL : innovation & invention, formula research period.

  1. yr 1990.

    Questioning & broadening: Establishing, foundation. Mostly spontanic, looking up: Technical & working finesse. Experimenting, with: Results. Attempting, to construct & obtain: Informal machinery.

  2. yr 1991.

    Experimenting, with: Artistic & free, language. Challenged, to draw: Innovative. Informal & abstract: Analysis. Documenting & observing: Original mechanics. Abstracting: World, point of view.

  3. yr 1993.

    Automatic data bank & operational center, for: Analysis. Started, up on the: Hunt, for general. Setting up, the generation for: Mobile machine & operational terminal. Attempting, to draw & obtain: Calculative innovation. Based, on the: Analytic data bank.

  4. yr 1996.

    A, certain: Hinting. Onto: Graffital languages, in styles. Setting the: Standards. For, a variation in: Styled language. Code naming, each: Styled standard. Starting, the search for: Perfect drivels, inside installations.

  5. yr 2003.

    Creative & creational: Experiments. Research: Logic, in visual language. Calculative, innovation: Obtained. Renaming, the dragon style, to: “Cwes.” A flexible name, being: Up, to date. As the pencils, are sharpened. I figured, that i might be able, to dig: The total “Cwes.” Up, from any of it's: Difference points. Calculating, the: Language. Shaping, with: Massive expansion.

  6. yr 2005.

    100%: 3-Dimensional & 3D-fictional. Geometric calculations, for: 3D-drivels. In such young days, of finding the: Final formula uno. I realised, that i would spend, at least: 10 years more. With analysis, and: Manual research. And end, up with a tiny: Golden dust, of innovation. Attempting, to operate & obtain: Pure innovation, in process. Analyse it, and store it inside, the: Data bank.

  7. yr 2009.

    Keying, informal: Manuals & schematics. For innovation, during: Transformal processing. Opening, for: Transform innovation. Symbol, with the: Variation functions. Having, collected: Valuable material. Inspiring, for: Innovation. All further: Artistic research, on the subject. Was, put on hold, until: One year. Of, plan work: Setup & installation, had passed.

  8. yr 2011.

    Presenting, the: “VELOPT idea.” And, alerting about: Possible, innovative formularia. Pure, innovation: Obtained. Discussing, the: Possibilities. Attempting, to prove possible: Veloption. Starting research, on the: Veloptive formula. Attempting, to research & obtain: Innovative ultimates.

  9. yr 2012.

    Mirroring, onto the: Future, solution. Binding, the: Instanced, immolations. Innovative, ultimates: Obtained. Lapsing, the: Light. With: Time & space. Attempting, to explain the: True future, mirror equal. And, perform a: Veloption.

  10. yr 2013.

    Equalising, the: Mirrored, future. And documenting, the: Mirror, Adjustments. Veloptive, calculation: Performed. Reversing, to the: Frontal mirror. This, year: Veloptive innovation. Was performed, with: Success. An “aureka outbreak,” explaining the: Problem solved, were released. Attempting, to document & obtain: Mirror equalisations.

  11. yr 2014.

    Constructing the instanced manual, titled: Last first. Inscribed, with the: “*X*X” formularia. Constructed, with a complete: Central perspective, of lights. This year, the: Norwegian research council. Buys: Four formula, from BVL. The “*x*x” formula, gives a hint for: Equalised & future, mirrors.

  12. yr 2015.

    Alphanumeric: Differences, for drival. One singular & complete: Alphabetic mirror equal, was found. Reversing, to the: Frontal mirror. This, year: Veloptive innovation. Was performed, with: Success. An aureka outbreak, explaining the: Problem solved, were released. Project: End. Artistic manual, will continue with: Alphanumeric & predictive, mirrors.

BVL = Product theoretics / research, specialised & chain generative / re-inventive: Scientific, Artist.

Innovation technology, is a sub category, inside of: “Artificial intelligence.” Innovation, means: Repeatedly, refreshing information, into: Independent originality, in every instance. Innovation, is also known as predicting: “Constant, reactive change.”

Read this curriculum vitáe & resumé, as a: Pdf version.

[# .061] EAM.

Artwork title: [# .061] EAM.

Below, there is following a: High reading indexed, text. And, mathematically explaining: Formula. Both, describing BVL's practice, for: Product development & market innovation / research invention. Working, as: Constant & serial renewal, in a chain.

BVL : art thesis.

BVL's art packages, are of: (MANUAL PLANWORK SCHEMATICS : “x = #”) for (GRADIENT & SPREAD / DETAILED & INVERTIVE POLISHING : “# = x,”) and, with 2017 / 2018 x (CHAIN GENERATION : “# = *,”) as, being a: (FRAGMENTED HYDRALISK : “/ 3 x”) + (ULTRA EXPANDED : “#3 x - #12 x = #1 x,”) and (CHAIN WELDED : “* = x.”) As: (COMPACT / MODULE BASED : “x = *”) (SYMBOL MANUALISING : “* = #.”) Inside: INDUSTRY & PRODUCT INNOVATION / ADDITIVE & IMPROVING RENEWAL / INFORMATIVE DREAM INVENTION / CREATIVE DESIGN & RE-DESIGN & SPRING DEVELOPMENT / INNOVATIVE & FLUID STANDARDS / COUNCILING & ADVISING SUPPORT - Platform based, at the knowledge behind: BVL’s “PERFECT SLASH/: COLON” - “VELOPT.” As, falling under: “Outstanding & original: Science.” Innovation, of: Future technologies. Introduced, to “innovation technology,” in year: 1990 - Discovered, in: 2009 - Sold, reported & handed over, in: 2013 - And BVL, did leave the research, in: 2015.

The style of the: Language, is among BVL's three characteristics. Which, all three: Should be used, in the abstract art works. To, create: Circulation, in the composition. Because, the composition & main elements, might: Be in three different, styled languages. With, an advanced & geometric: Abstract Graffiti language. The language, may: Reflect anything. As being, completely unique and yet, still only: Paragraph based.

Technical, artistic: Veloptics.

Bendik Laland, casts revision sheets, upon: Structural & organisational, builds. Cooperating, in the: Organisation analysis. As, the crossing: Keywords, are coded. He makes, symbolic manuals, of: Schematic systems. Being, of final: Mass invention / ultimate innovation. Bendik, has invented & visioned, over 100: Original, working & practical, theory concepts. Where under, about 25 x theories, have been: Claimed. As, of being: Practically working, to 100 %. And, these theories are all: Described, in “detail.pdf.” The 25 x practical theories, have been: Donated, to “direct u-Help & u-Bank funding.” Freely, and for: “MSF & UNICEF.” The theories, is being rooted from: Bendik's art.

[# .031] Stoned Goblin

Artwork title: “[# .031] Stoned Goblin.”

The colours, may still be adjusted, for the: Customers interior. The style, language: “(pre)PRG,” translates, to “LIG(hts.)” Which, then becomes: “VELOPT.” A veloption, is a highly concious: Result, of calculated light. BVL's language styles might, be like: The expanding worlds, of containing art.

This art sale, might only be: Constructed. As out, of the: Difference, codex keywords. And, by: System language, constructions. With, free & dancing light. In, clearly: Mirroring chain. The light, is installed like a: Time rotation. Being: Constant, in space. Displaying, two / three: Difference pieces. Of yards & logics, wrapped: Into, each other. As dual / triple: Styled, language characteristics. Plus, the: Generator background, styled as “(pre)PRG.” The, 3D-fictional wrapper edging: Is designed, to be hinting / opening. For, the complete: Chain generative, history. This, fractured & hydraulic / styled navigation, of a: Total chain history, is displayed. In general: Overlook, as the veloptics.

One “(pre)PRG,” as the: Starting background. One “LIG(hts),” in the: Central area. And, finally the: "VELOPT," on the top.

It might, be interesting to: Perform innovative experiments. With, resetting the: Total chain-generative value, to zero. For then, to be adding a: Lower unit. This would, open for: Slighter innovation / development. And, possibly having a: Drop, of the original chain. The currently offered artworks, is thereby: Not an instance, of multi projected coincidence. With, a total of the chain generators: Reactive yards. Of massive / slight: Particle weights. Layered, and: Hinted / wrapped, or rifted / sliced & cut. Like, as in: “(pre)PRG.” Neither, are them a: Trace calculated & chosen selection. Of installed difference, inside: Codex sections, either. Like, there is inside of the: “LIG(hts,)” style & language

“VELOPT,” is: Standard originality. From the total, amount of: Difference codex sections. Plus, the chains: Reactive & layered yards. Every, yard arm is adjusted: Among, with the veloptics. All this, is the: Perfect “slash.” Possibly, also along with a: “Colon,” for drift. (10% (pre)PRG : "shot powder") / (30% LIG(hts) : "sling, in difference") / (60% VELOPT : "slinging, drivels mold mask.") A veloption, would be something: Completely unexpected, and fully fresh. And, the: Veloptic core, may be re-designed, by variation series. This, is the common way, for BVL to: Produce, he's veloptive artworks. And this time, renewing by the: Chain generator. With practical, and module based: Alpha numeric, symbol inscriptions. In, sheet: Manuals.

The results, often becomes: Final & ultimate conclutions. Drafted, as: Graffiti / Psychedelic Symbolism & 3D-fiction. The viewer, should attempt to: Get a grip, about the complete composition. Also, weighting the: Different abstractions & doused / bright colours, against each other. This should, make the results: Inspire, to interpretation & insight / understanding.

The veloptions, are being driven. On, a platform of: Chain generation. Put up, together with: Difference. As, a logic spring setup, by: Sections, in the light codex. The chain generation, is a: Massive & enourmus, value by numbers. Where, the codex for sections differences, are: Implemented, as keywords. The, total chain generator: Value, is explained at it's best, as a visual terminology. Because, the number would possibly, be: Longer, than a travelled light year. The platform chain, is used for the: Manuals schematic space. This exact phaenomen, in it's maximality lies: Stored, as (pre)PRO's dating, for any time. The generators, space: Becomes the veloptive effect. This generation, are there to: Create function, in the manual schematics. And, the value represented, is the: Works capacity, compared to it's final, dividend energy.

Each, chain unit is: Divided, and measured. Which is, opening for: Recognising, the final & pure standard “slashes.” Which, are derived, from: The codex differences. The total chain number, increases in immense: Multiple doubling, for each passing second. And, even less than: A single fraction, of full chain generators. Are needed, to reach: Year 3000, from 2000.