Curriculum Vitáe / Resumé / History, of Artistic Career & Prestiege.
2017 : *“Placed Logic & Expansive Knots” - Exhibition @ The Glass House Gallery, The Ski.
2017 : *“Lucky Well, of Dream Weaving” - Exhibition @ The Purple Shepherd Gallery, The Ski.
2016 : *“Obtaining the Optimal & Final Linguistics, by Differences” - Exhibition @ The Glass House Gallery, The Ski.
2015 : *“Artwork: Last space, first” - Exhibition @ the: "National Art Fair." - World travelling exhibition, opening gallery in Oxford, England.
2015 : *“Veloptive Science” - Exhibition @ The Old Orchids Gallery, The Ski.
2014 : *“Original, inventive research art” - Exhibition @ Gallery Alm Power, Porche Ground.
2013 : *“The regional, art competition” - Exhibition @ The Ibsen Main Hall Gallery, The Ski.
2013 : *“Stimulating: Feng Shui” - Exhibition @ Gallery Down Art, The Ski.
2012 : *“One, Covers All” - Exhibition @ Gallery Inquisition, The Ski.
2011 : *“Norwegian Hiking Areas” - Exhibition @ Gallery Gallera, The Ski.
2010 : *“Contacts” - Exhibition @ Gallery Gallera, The Ski.
2009 : *“Fuck the buff!” - Exhibition @ Gallery Down Art, The Ski.
2006 : *“Scream, of the: Young” - Exhibition @ Gallery Down Art, The Ski.
About : BVL.
Bendik Viking Laland, is inspired by Abstract Graffiti Psychedelia, Pompous Barouque, and somewhat from the: Expressionism. Bendik's visual theme, used to be: Ahead, of it's time. Bendik might also have found a connection between: General innovation, and Graffiti. He has, in some of hes formulas: Described how Graffiti, can be innovative.
Photo, of: Bendik Laland.
Artistic prestiege, of: Bendik, the artist.
The veloptive formularies, could replace all: Invention. And enable all: Innovation, for anyone. Being, a: Reinventive code. The, first: Language veloptations, might become highly valuable. These, are from: 2009 / 2010.
Bendik, did make a: Step. By opening, for a possible: Textual reinvention. Among with introducing, for the: Light processor. And by creating, the: Calculations, for “Eternal Machinal Capacity.” Which is, a software only: Serial, energy addition. Requiring lots, of higher sophisticated: Programming.
Bendik, has the aspergers benefit, of: Narrowed intelligence. Which, makes him especially: Great, in the arts. He has been, an: Artist. Since: 1995. And he, set course for: Formula one / innovation technology / artificial intelligence. Already, in the year of: 1989 / 1990. Then, he was only: One, year old. The combination, of: artistic research. Happened, in the year: 1990. And still, in: 2018. Bendik, is producing: Graffiti & artistic mirrors. Of, instant: Instancations. Being, abstract manual: Science & schematic research. Upon geometric math, of: Ultimate, symbolic shaping. The BVL : VELOPT-project. Falls inside, the research category: “Outstanding: Science. Innovation, of: Future technologies. IT - Research, on innovation technology / artificial intelligence.” This category, has been under: Research. Since, the: Baroque ages. Firstly, mentioned as “the science, of: Art & mythology.” Previously, being called “the road, to: Omniscience / Nirvana.” In, the far: Eastern part, of the world.
In, the: 1930's. The task, changed to “research, on: Formula one. Among, with the: Rise, of computers. Bendik, knows and writes: About, the computer origin. As, a: Protest, to the current & established capitalism. Formula one, is the refreshing science, of: Carbon based transmution & inventive, innovation.” Bendik, is hoping to contribute, inside: Innovation technology. With, hes: Alphanumeric calculator. Which, is sold: For development.
Abstract Graffiti, Manual: Psychedelia Schematics.
Bendik Laland, casts revision sheets, upon: Structural & organisative, builds. Cooperating, in the: Organization analysis. As, the crossing: Keywords, are coded. He makes, symbolic manuals, of: Schematic systems. Being, of final: Mass invention / ultimate innovation. Bendik, has invented & visioned, over 100: Original, working & practical, theory concepts. Whereunder, about 25 x theories, have been: Claimed. As, of being: Practically working, to 100 %. And, these theories are all: Described, in “detail.pdf.” The 25 x practical theories, have been: Donated, to “direct u-Help & u-Bank funding.” Freely, and for: “MSF & UNICEF.” The theories, is being rooted from: Bendik's art.
BVL : Childhood & inflictious adolescence
When Bendik, was a very young child, he asked his father: What was, the most difficult work to do. Bendik’s father answered, that it was: “Research, on formula 1.” That was, when Bendik decided: To be, a researcher. He was given a short description, on what formula 1, was. When he concluded about setting up, for the researching. Later: The big disappointment, came. He was at the: Technical museum, in Oslo. He was playing with a: Kaleidoscope. He was thinking: The person behind this tool, has invented: Formula 1, already! Still: Bendik couldn’t understand why the kaleidoscope was there, in the museum, and not: The actual formula 1.
It was then, that Bendik figured: He was the one: That understood the connection, between the kaleidoscope, and formula 1. Although, that this: Tool. Might actually, have been: A fallen formula, within the field. Bendik decided, to use his knowledge about the kaleidoscope, in: His future “research, on innovation & technology.”
Bendik, asked his mom: “How can I make a formula for everything?” She answered: “Perhaps you can draw it? You that are such an artist!”
Nobody remembers what, the first drawing: Looked like. And it’s probably: Not important. After a little drawing, Bendik had figured the kaleidoscope, to be a key in the: Whole setting. He was addicted to: Making attempts on formula 1, while drawing. Which is why, he completely, went 100 % into: “Artistic innovation, of formula 1.”
In the kindergarden, and in: Primary school, he was only drawing, or doing other kinds of art. However, he still were: Listening to the teacher, while drawing. Which, is how he could draw: General school lessons. And, attempt to: Innovate it. Bendik, continued to study like that, throughout: Middle school. With his: Self learned, Graffiti styles. Later, he studied at an art specialized school, where he archived: Top grade, in all art classes + geometry. Further, he has studied at the: Bergen National Academy, of the Arts (khib - 2007.)
The true research project, and attempts on: Formula 1. Began firstly, in: 2009. Later, in: December 2014. He has made maybe ten, written formulas for: Innovation, invention, or development.
2017 : *“Light Bending Materialism - Project: Amethyst. Opened, for the: Light processors, possible physics & function, by the gemstones dust & positioning - Research advertisement.”
2015 : *“NRK (Norsk rikskringkastning) / Norwegian State Broadcast (The Norwegian, national broadcasting on: Television) - Bendik Laland, is a research artist, who: Challenged the Norwegian research council, into a documentary broadcasted. About, calculative derivals on: New colors & color change.”
2015 : *“NRK (Norsk rikskringkastning) - Dagsnytt / Norwegian State Broadcast - Daily News (The Norwegian, national broadcasting on: Television) - Bendik Laland, is an artist who: Choose, to be poor. Yet he wants, to sign a document, of a possible high value. Completely, over to: International u-Help.”
2014 : *TA - Telemark local news paper - “All Graffiti, should be legal.” - Interview, about that: Bendik states the local industry, in town. To, be: Artistically painted, in graffiti detail.
2014 : *“BENDIK” - There, is no girl, that: Wakes up, in the morning. And want, to change her name, to a: Boys name. This was, to: Display something else. Than, this: Web page. When googling, the name: “Bendik.”
2014 : *“Numereous random publications, about the coming: Light processor. BVL, ain't mentioned. But still, he is: The original inspiration, to the forthcoming research. Of light, and: How to process, with it.”
2013 : *“Some; makes paintings, of: Simple houses. -It, is only the: Graffiti, they are covered with. That could, seem: Beautiful.”
2013 : *detail.pdf - “This, is getting: Strongly supressed.” - Erasion, of the: Agreement. Between Bendik, and: With who. That was, the Norwegian: Capital ministor, at the moment. Siv Jensen.
2011 : *“Innovation, for all!.” - diskusjon.no : Thread start
2009 : *“Mystical T-man.” - varden.no : Article headline
2006 : *“Young, promising artist.” - ta.no : Article headline
2005 : *“Writes: Special words.” - pd.no : Article headline
2005 : *“FHM: Contest winner.” - fhm.no : First price
2004 : *“Train, painted; at the: Nylende, train yard.” - varden.no : Article headline
2016 : *Invited, for: Clothing & fashion design.
2013 : *Sold, the rights, to: Four VELOPT, formularia schematics. To, a: Restricted group, of research institutions. The "Norwegian research council." Were operating, with the: Deal.
2013 : *Donated, the: Total amount. Of, about: One million euro. Into, the Norwegian: Welfare bank. The cash value, were from the previous, mentioned: Sale of manuals, to the NRC.
2012 : *Recalculated: Base, computer processing. Opening, for a numerous: Variety, in bit code / software foundry, for the plus & minus calculatives. This might, be called: An early (pre)PRO variant. Heading, for: Constant processing. Multi tasking in each bit, by: Broadning, with the software edges. Handling multiple & soft only, amounts of “plus data.” Possibly, by “shaping:” Electro pulses.
2008 - 2011 : *Business developer, and project leader; of an: Architectural project. Idea development & commercialisation, then for: Registration.
2007 : *Designed: Logos. For, the association: "Men in caring occupations".
2006 : *Invented, the first styled design notes, for the: “BVL / WHATWG / w3c · web 3.0 manual. And, with: 3 x standard web 3.0: Layout concepts. Introducing, some: “Successful web designs.” And mentioning, about perfect web details. Like, the: “3-decked hamburger-menu.” And the web 2.0: Footers. Among, with setting the: New standard “air space,” to keep in between text brackets.
2006 : *Mentioning about, the minimalism which is structured within: The JSON-LD code language. This, is what: SEOhtml / schema, is built upon.
2005 : *Painted: Ramps, at North Sea vacational park.
2004 - 2007 : *Painted: Several rooms. In, many: Householdings.
2004 - 2007 : *Painted, on: Many personal cars.
2003 - 2007 : *Designed: Several web sites. For: "FHM", "Cryonics", band pages, net communities, among many others.
2001 - 2006 : *Painted: Graffiti, nearly everywhere in Skien centrum - “Cwes (Bomb Squad.)”
Editional limitation, were set. To, the following; three standards, for artistic re-designs and styles:
#E&4-003 : (pre)PRG - 90 x prints
Rhythm : Deconstructive minimalism, of: Spaced oscilliation - Time, in light-speed / chain generative, reactor pool & predictive: Electro reactor, in capable constant - Globally encompassing, wave form: Signaling, as spaced wave conductors. 2012
#E&4-002 : LIG(hts) - 60 x prints
Float : Minimalized & generalistic, golden dust : Light-binding / light-bending, - Paradisional preparation & construct, with: Complete, time mapping. From the ages, of: Blazing gods, and back until today. The gathering, of perfect & forth: Falling, status & height. 2006
#E&4-001 : VELOPT - 30 x prints
Flow : Classic Graffiti Psychedelia & layered / modular: Mass derivals - Godlike & omniscient formula - Research, on: "Innovation technology / artificial intelligence" - Paradisiacal electro godhead / The paradise core heart & brain, calculating: Human behaviour & needs / wishes - Prereactive computing & auto-interaction, from user defined: Hammer head. Sentance based: Key word & character, derivals. 1996
Awards & experiences.
2017 : *Finished, with sketching: 20 x original working theoretics / inventions. All, of them; being: Signed & declared, by copyright noticement. Into u-Help donation, and otherwise: Horizontally, balanced business. The detail.pdf, is strongly: Suppressed, by the Norwegian government.
2016 : *After finishing up, with the research of: The artistic concept. About the “continuation, of: Geometric / aesthetic, derivals & extensive characters.” While being suppressed, by the: Norwegian government. The science, would be: Pushed out into the American ghetto, in the Bronx alleys. “Taki 182, the original.” Reported as “intrested, in being: A, possible subject.” For, recieving the: Practical work / research & Graffiti, first start up. Being suppressed, Bendik: Could, not resist this chance. For contributing, with he's: Veloptive research. By, drifting Graffiti science: Back, through time.
2014 : *Noticing, the improvement in the: Renamed & sold, “VELOPT project.” Which, was the news about: The “light processor.”
2013 : *Declaring, the: Innovation project & inventive systémè idéalè. Codenamed: “detail.pdf.” As of, being 100 % for: u-Help, only.
2011 : *Discussion.no - "Innovation, for y`all" : VELOPT, start-up. Outstanding science, innovation of: Future technology. IT - research, on: Artificial intelligence / innovative technology.
2011 : *Completed/resigned, from being leading project developer, in: "WONDER - Styled Veneer" - Architectural intereour/extereour: Design schematist, of pre/post setup, for installative construction. Terminologic manualizer & securifyer/restrictor.
2011 : *Made, an: “Aureka outbreak.” With, the: Artistic transformations, of informal data. Starting, the research of: Project, codename “VELOPT.”
2010 : *Joined, the: “beinart.org” community.
2010 : *Donated, a sculpture for the: Skien town - “Ibsen House : Main art gallery.”
2009 : *Donated 2 x: Canvas rolls, both being 10m x 1,75m. To, the: NSB - Skien train station. Hoping, to: Clarify, with earlier graffiti works. Being, done on: The same station.
2008 : *"CWES" - Snitched, out by: He's own father. Convicted, to: Eight years, of coustety. Although, that the maximal judged amount, of time possible; in jail / coustety. For, this crime; were: One year, after the 2005-paragraph. BVL, were convicted on a paragraph; from the: 19th-century.
2007 : *Attended: “Bergen National Academy, of the Arts / KHIB.”
2006 : *"Arms & Cwes" - The alley battle. R.I.P: Arms.
2005 : *"FHM" - Design contest. BVL, won the "first price" award.
2004 - 2010 : *A few: Net based art awards.
2003 : *"Baltha Cup" - Numerous designing, and profilation tasks.
1999 : Invented, the: Flexfit, comfortable headband; for capses. As a comment, to current caps trends. They, all were incomfortable.
1995 - 2005 : *Numerous tag competitions.
2012 - 2013 : *Attended: “Professional Courses,” at Manfred Evertz' private school.
2011 - 2015 : *Research, of: “Artificial intelligence & innovative technology.” Project, codename: “VELOPT.”
2007 - 2016 : *Strict mirrorization & timed capture, of: KHIB - lessoning. Sponsored, by: HALDOL.
2007 : *Attended: "Bergen National Academy of the Arts / KHIB". Class, of: 2007. Sponsored, and mirrored by: J&J HALDOL.
2004 - 2007 : *Attended: "Draftsmanship, shape and color", at "Porsgrunn VGS". 6665, 6664, 6663. Top grades, in all: Main terms.
1994 - 2004 : *During pre-school, Bendik always were: The art teachers; favorite student. He got: Top grade, in all lessons, tests and examns.
1991 : *Baby stoner.
1990 : *Introduced, for: Formula # 1 / innovative technology.
Own understanding, of “instructed: Light-works, in constant time-space.”
The “BVL : Symbolic Graffiti Baroqúe Psychedelia.” As, an: Original & inventive tool.
The higgs boson, and related research. Paradisiacal innovation. Dark & light: Materials. Quantum physics & it's “spoken rise.”
“Acid mothers temple,” musically harmonizing, to: Deep insight. Also: “OM,” lyrically inspiring.
Stimulating substances, such as: Cannabis, Amphetamine, LSD, DMT, and Psilocybin +++.
Vincent van Gogh, Edward Munch; and modern, contemporary pop-art. Satoshi Sakamoto & Dennis Konstantin. Also: Art history, and other legendaries.
2013. The Norwegian research council & their helping hands.
2007. The, word: “Truth seeking.” As a sense, of: Scepcis. And with a tendency, for: Conspiracy.
1988. Most thanks, goes to my mom and dad, and the rest of my family. For: High support, care and loyality.
1995. Always, stating: Equalizive. And with having, the strength & will, to: Share.
Main skills : “Great” - “Masterful.”
Acrylic painting : *Masterful.
MOLOTOW markers & ink - draftsmanship : *Masterful.
Research : *Great.
Detail.pdf, inventionally : *Masterful.
Terminologic systematics, of schematic derival reactor-manualism - The Veloptive formulas : *Masterful.
Artwork title: [# .048] Sauce.
More skills : “Low” - “Good” - “Medium” - “Great” - “Masterful.”
Scientific history : *Good.
Analysis : *Good.
Innovative development : *Masterful.
Calculations : *Good.
Artistic company/industry/market innovation : *Masterful.
Innovation & originality : *Masterful.
Design & redesign : *Medium.
Art history : *Good.
World history : *Good.
Formulative writing, in Norwegian or English : *Masterful.
Social critizism : *Great.
Graffiti : *Masterful.
PC-imagery editing : *Good.
3D drafting & shadowing/Descriptive geometry : *Masterful.
Artistic creativity : *Masterful.
Color : *Good.
Printing techniques : *Low.
Artistic & scientific prestiege : *Great.
Business & promotion : *Low.
Stimulation, by substances : *Masterful.
Computer understanding : *Great.
Conspirativity : *Masterful.
Outstanding science : *Great.
Formula one & progressive engineering : *Masterful.
Explaining the research project, codenamed: “VELOPT,” from the: Beginning.
Questioning & broadning: Establishing foundation. Mostly spontaniously, looking up: Technical & working finesse. Experimenting, with: Results. Attempting, to construct & obtain: Informal machinery.
Experimenting, with: Artistic & free language. Challenged, to draw: Innovative. Informal & abstract: Analysis. Documenting & observing: Original mechanics. Abstracting: World, point of view.
Automatic data bank & operational center, for: Analysis. Started, up on the: Hunt, for generalistics. Setting up, the generation for: Mobilizing the machinal & operational terminal. Attempting, to draw & obtain: Calculative innovation. Based, on the: Analytic data bank.
A, certain: Hinting. Onto: Graffital languages, in styles. Setting the: Standards. For, a variation in: Styled language. Codenaming, each: Styled standard. Starting, the search for: Perfect derivals, inside installations.
Creative & creational: Experiments. Research: Logic, in visual language. Calculative innovation: Obtained. Renaming, the dragon style, to: “Cwes.” A flexible name, being: Up, to date. As the pencils, are sharpened. I figured, that i might be able, to dig: The total “Cwes.” Up, from any of it's: Difference points. Calculating, the: Language. Shaping, with: Massive expansion.
100%: 3-Dimentional & 3D-fictional. Geometric calculations, for: 3D-derivals. In such young days, of finding the: Final formula uno. I realised, that i would spend, at least: 10 years more. With analysis, and: Manual research. And end, up with a tiny: Golden dust, of innovation. Attempting, to operate & obtain: Pure innovation, in process. Analyze it, and store it inside, the: Data bank.
Keying, informal: Manuals & schematics. For innovation, during: Transformal processing. Opening, for: Transformal innovation. Symbolizing, with the: Variative functions. Having, collected: Valuable material. Inspiring, for: Innovation. All further: Artistic research, on the subject. Was, put on hold, until: One year. Of, planwork: Setup & installation, had passed.
Presenting, the: “VELOPT idea.” And, alerting about: Possible innovative formularia. Pure innovation: Obtained. Discussing, the: Possibilities. Attempting, to prove possible: Veloption. Starting research, on the: Veloptive formularias. Attempting, to research & obtain: Innovative ultimates.
Mirroring, onto the: Future solution. Binding, the: Instanced immolations. Innovative ultimates: Obtained. Lapsing, the: Light. With: Time & space. Attempting, to explain the: True future, mirror equal. And, perform a: Veloption.
Equalizing, the: Mirrored future. And documenting, the: Mirror Adjustments. Veloptive calculation: Performed. Reversing, to the: Frontal mirror. This, year: Veloptive innovation. Was performed, with: Success. An “aureka outbreak,” explaining the: Problem solved, were released. Attempting, to document & obtain: Mirrorized equalizations.
Constructing, the instanced manual, titled: Last first. Inscribed, with the: “*x*x” formularia. Constructed, with a complete: Central perspective, of lights. This year, the: Norwegian research council. Buys: Four formularias, from BVL. The “*x*x” formularia, gives a hint for: Equalized & future, mirrors.
Alphanumeric: Differences, for derival. One singular & complete: Alphabetic mirror equal, was found. Reversing, to the: Frontal mirror. This, year: Veloptive innovation. Was performed, with: Success. An aureka outbreak, explaining the: Problem solved, were released. Project: End. Artistic manualizing, will continue with: Alphanumeric & predictive, mirrorings.
BVL = Product Theoretics / Research, Specialized & Chain Generative / Reinventive: Scientific Artist.
Innovation technology, is a sub category, inside of: “Artificial intelligence.” Innovation, means: Repeatedly, refreshing information, into: Independent originality, in every instance. Innovation, is also known as predicting: “Constant, reactive change.”
Artwork title: [# .061] EAM.
Below, there is following a: High reading indexed, text. And, mathematically explaining: Formularia. Both, describing BVL's practice, for: Product development & market innovation / research invention. Working, as: Constant & serial renewal, in a chain.
BVL's art packages, are of: (MANUAL PLANWORK SCHEMATICS : “x = #”) for (GRADIENT & SPREAD / DETAILED & INVERTIVE POLISHING : “# = x,”) and, with 2017 / 2018 x (CHAIN GENERATION : “# = *,”) as, being a: (FRAGMENTED HYDRALISK : “/ 3 x”) + (ULTRA EXPANDED : “#3 x - #12 x = #1 x,”) and (CHAIN WELDED : “* = x.”) As: (COMPACT / MODULE BASED : “x = *”) (SYMBOL MANUALISING : “* = #.”) Inside: INDUSTRY & PRODUCT INNOVATION / ADDITIVE & IMPROVING RENEWAL / INFORMATIVE DREAM INVENTION / CREATIVE DESIGN & RE-DESIGN & SPRING DEVELOPMENT / INNOVATIVE & FLUID STANDARDS / COUNCILING & ADVISING SUPPORT - Platform based, at the knowledge behind: BVL’s “PERFECT SLASH/: COLON” - “VELOPT.” As, falling under: “Outstanding & original: Science.” Innovation, of: Future technologies. Introduced, to “innovation technology,” in year: 1990 - Discovered, in: 2009 - Sold, reported & handed over, in: 2013 - And BVL, did leave the research, in: 2015.
The style of the: Language, is among BVL's three characteristics. Which, all three: Should be used, in the abstract art works. To, create: Circulation, in the composition. Because, the composition & main elements, might: Be in three different, styled languages. With, an advanced & geometric: Abstract Graffiti language. The language, may: Reflect anything. As being, completely unique and yet, still only: Paragraph based.
Artwork title: “[# .031] Stoned Goblin.”
The colours, may still be adjusted, for the: Customers interiour. The style, language: “(pre)PRG,” translates, to “LIG(hts.)” Which, then becomes: “VELOPT.” A veloption, is a highly councious: Result, of calculated light. BVL's language styles might, be like: The expanding worlds, of containing art.
This art sale, might only be: Constructed. As out, of the: Difference, codex keywords. And, by: System language, constructions. With, free & dancing light. In, clearly: Mirroring chain. The light, is installed like a: Time rotation. Being: Constant, in space. Displaying, two / three: Difference pieces. Of yards & logics, wrapped: Into, each other. As dual / triple: Styled, language characteristics. Plus, the: Generator background, styled as “(pre)PRG.” The, 3D-fictional wrapper edging: Is designed, to be hinting / opening. For, the complete: Chain generative, history. This, fractured & hydraulic / styled navigation, of a: Total chain history, is displayed. In general: Overlook, as the veloptics.
One “(pre)PRG,” as the: Starting background. One “LIG(hts),” in the: Central area. And, finally the: "VELOPT," on the top.
It might, be interesting to: Perform innovative experiments. With, resetting the: Total chain-generative value, to zero. For then, to be adding a: Lower unit. This would, open for: Slighter innovation / development. And, possibly having a: Drop, of the original chain. The currently offered artworks, is thereby: Not an instance, of multi projected coincidence. With, a total of the chain generators: Reactive yards. Of massive / slight: Particle weights. Layered, and: Hinted / wrapped, or rifted / sliced & cut. Like, as in: “(pre)PRG.” Neither, are them a: Trace calculated & chosen selection. Of installed difference, inside: Codex sections, either. Like, there is inside of the: “LIG(hts,)” style & language
“VELOPT,” is: Standard originality. From the total, amount of: Difference codex sections. Plus, the chains: Reactive & layered yards. Every, yard arm is adjusted: Among, with the veloptics. All this, is the: Perfect “slash.” Possibly, also along with a: “Colon,” for drift. (10% (pre)PRG : "shot powder") / (30% LIG(hts) : "sling, in difference") / (60% VELOPT : "slinging, derivals molding mask.") A veloption, would be something: Completely unexpected, and fully fresh. And, the: Veloptic core, may be re-designed, by variative series. This, is the common way, for BVL to: Produce, he's veloptive artworks. And this time, renewing by the: Chain generator. With practical, and module based: Alpha numeric, symbol inscriptions. In, sheet: Manuals.
The results, often becomes: Final & ultimate conclutions. Drafted, as: Graffiti / Psychedelic Symbolism & 3D-fiction. The viewer, should attempt to: Get a grip, about the complete composition. Also, weighting the: Different abstractions & doused / bright colours, against each other. This should, make the results: Inspire, to interpretation & insight / understanding.
The veloptions, are being driven. On, a platform of: Chain generation. Put up, together with: Difference. As, a logic spring setup, by: Sections, in the light codex. The chain generation, is a: Massive & enourmous, value by numbers. Where, the codex for sectionised differences, are: Implemented, as keywords. The, total chain generator: Value, is explained at it's best, as a visual terminology. Because, the number would possibly, be: Longer, than a travelled light year. The platform chain, is used for the: Manuals schematic space. This exact phaenomena, in it's maximality lies: Stored, as (pre)PRO's dating, for any time. The generators, space: Becomes the veloptive effect. This generation, are there to: Create function, in the manual schematics. And, the value represented, is the: Works capacity, compared to it's final, dividend energy.
Each, chain unit is: Divided, and measured. Which is, opening for: Recognizing, the final & pure standard “slashes.” Which, are derived, from: The codex differences. The total chain number, increases in immense: Multiple doubling, for each passing second. And, even less than: A single fraction, of full chain generators. Are needed, to reach: Year 3000, from 2000.