The responsible agent, describes & provides: The necessary first combination,
of limited keywords & scripts. Bendik will, make the judgements: Regarding any censorship,
of the eventual outcome innovation. Bendik does, not: Provide an easy solution, for capitalists. That are, aiming for: Any kind, of invented products.
BAVL starts, to prepare for: Data mining & impressionism, for a first conclusion.
Bendik, reads: The targets, eventual interest. Which should have, a possibility for:
Certain, expansion & improvements. Inspectional analysis, for a: Scaled sheet, status data stacking.
Sorting & resorting, with the: Informal, pieces. And attempting, to: Establish, composition.
Eventual changes, are made to: The keyword, sentance. Batched, research:
Standardising. Starting up, with: Drival, sketches. BAVL is searching, for: Connections & clearity.
Lots, of quick & different: Sketches, are made.
Finally one “hammer head,” is: Lined up larger, on the canvas.
This head, is to: Wrap out, into whatever being unclear.
Month: # 2. Creative production & keyword: Drivel, calculations.
Time for black & white, or maybe with the: Gray, tones. Yellow are, to be:
Dodged with, advanced realism. This colour, eventualy becomes the: gold & very last, in the layers.
The, high: Lights are to be, in pure & shiny white chrome.
Then, photographing and: Sending, the artwork. By, the:
Standard Norwegian / European / global, mail.
Art, on canvas format: № 56 x 56 ” inch / № 64 x 64 ” inch
/ № 72 x 72 ” inch / № 80 x 80 ” inch.
Writing, to: BAVL.
BendikVikingLaland. Science Artist & Researcher.
If there, should be: Anything. Bendik is, fond of: Reading, messages. So please do, leave a: Note.
Customers, are: Also accepted, to make contact. By any, of the later described: Contact, methods.
Do leave, the: Serial, number. From, the: Art gallery, for your desired print.
If you, are ordering: Research work, like forced & informal expansion. Then provide, a suggestion for the: Start path, to follow.
Like there is described, underneath of here & in with the: Research recruitment, by the free & informal discovery.
Bendik does, have the: Capability. To, create: Priceless, values in art. Which is why, that he is:
Restricting & limiting, the: Possibilities. He, can not: Sprinkle money, about to anyone.
And he can't accept, to be the origin for just anything. And he, is: Aware of, the: Veloptive possibilities, in capitalism. Referance:
This means, that the: Keywords chosen, for development. Can not, contain any kind of:
Objective, material. Exceptions, can be: Made if you should, be positivelly inspiring anyway.
Yet, there would be a: Certain censorship, as being like a channeling. If one, should need:
Only, the most: Trusted, u-Help organisations. Is allowed, to:
Apply, for invention research. The same, counts for: Research institutes, if they require assistance.
Anything being, beyond: Private, limitations. Is: Excluded, from the BAVL ‐ keywords. No: Exeptions, made.
Items will be, sent from: Skien, Telemark, Norway.
With, standard: Norwegian, mail.
Free, discovery. Recruit, for a: Research, period.
Effective result, is an: Original & manual, scheme report.
“Abstract Graffiti Psychedelia”
These abstract codexes, should: Produce fresh news, by chain generation. Each chain generated charge value point, counts as one single:
Inventive impression & extensive unit result, from the artwork. You, should be: Creativelly visualising, with the artwork. For the unknown, to: Inspire.
#05 .6⅘ A ‐ #05 .6⅘ A.
x № 1: Schematic, manual piece. Maximal № 48 x characters, of the:
Working script, key words. Chain generator, target value: № '4 x round, bits.
Four quadrat images, being four larger sized: Polyptych art works.
An operating system, with a № 3 x: Schematic manual, piece of works.
with increased alphanumeric expansion. On the, three: Larger sized, canvas stretchers.
Three quadrat images, being three larger sized: Polytych art works.
A light platoon, with a № 4 x: Schematic manual, piece of works.
With veloptic continuation, of aesthetic: Flow & logic, float. On the, four: Huge sized, canvas stretchers.
Size: #08 .0⅚ B
- #08 .0⅚ B. x № 4: Schematic manual, piece of works.Maximal 320 x characters, of the: Working script, key words.
Chain generator, target value: № '16 x round, bits.
Bendik, starts to: Make, he's artworks. By, drafting: Alphanumeric, characters & symbols.
In a strict, style of: Clean lines & pure, colour. He, then: Fills in the following drivels, by drifting continuation.
With, natural & heavy tensioned: Rhythm & Flow. And he does, believe that the: 48 x ‐ 91 x ‐ 132 x: Scripted, key words.
Are to be massively derived, by following: Aesthetic logic & possibly, with an inventive engine for news.
The art, might spin in: Transforming twists, on the canvas. With difference settings, from the: Containing, art language geometry.
Bendik, has some: Special, setup installations & methodic techniques.
For, constant & extensive / expansive / descriptive: Inspirational originality, on the canvas.
Bendik, slowly: Calculates the aesthetics, within the language.
And the written words, would eventually turn into a: “Complete Final / Ultimate & Eternal, Standard Symbol of Information.”
Based, on the: Specific scripted key words. Please do keep in mind, that: You may produce, quite a lot of news.
Only, with: The basic, scripted key words. If, you: Choose, the right words.
BAVL claims graffiti drivels, to be: Extensions in, a reactive network.
Characters expanded, to the: Next borders, of discovery & news.
This is, the first time that: Graffiti has been explained, as being true art.
Bendik's graffiti art, is the original: u-Help donation, to the streets.
He does believe, that he's graffiti is: The only, graffiti.
And he, has been: Researching “innovation & invention.”
He also, says that: He created graffiti, as a research product.
For then, to: Send it, back through time. And then, to hopefully: Rise cities, under him.
Bendik does, hope for a: Creative, overflow.
When human stands, while screaming at the human rise:
Reanimalizing. Edward Munch ‐ Norwegian, Modernist: Painter.